Thursday, October 27, 2011

FULL CYCLE

The theory that the entire evolution of life on earth to the present is reenacted by all beings during their gestation from the first cell division after conception to the emergence of their modern form from womb or shell I’ve heard bandied about in many contexts. I have to admit such comparisons are quite plausible throughout the wide variety and scale of life forms covering the surface of this being of which we are all cells, Gaia, Pachamama, Mother Earth.

Like any theory that keeps kicking around in my ponderings it has given rise to tangential extensions into nearly as many contexts. The earliest of which concerns the idea that, given that extremely abbreviated experience of earthly evolution to the present in gestation, the period of a modern human’s life from the first perception of sunlight to the last appears to be a reenactment of the continuing social evolution of mankind from the first opposable thumbs to finding fulfillment living out their lives in cubic, air-conditioned isolation chambers viewing the natural world from which they arose as an enemy to be conquered and exploited by pushing buttons with stubby little fingers to make that now alien, civilized world better, more heedlessness of the harm done to the planetary health none can survive without.

No matter where you go, there you are.

















Lest I get carried away into my old crackpot notions and forget the latest idea that made me abandon my sunrise vigil and drove my stubby little fingers here to the keyboard once more; it occurs to me that, having come to an understanding of the paragraph above, I have been slowly but surely returning to the preverbal existence of early man by my age alone. Over years of abuse, from screaming jet engines to southern sheriff’s saps, my ears now seem only to hear vowels and tunes, with consonants and lyrics quite indistinguishable. My eyes seem only to see landscapes and geometric shapes in the foreground, with leaves and letters on those shapes quite indistinguishable. I may not pick out your train of words, but through the dance of your body English and tune of your voice I can follow your train of thought as a metaphor with interchangeable variables. I may not be able to see your facial features at a hundred yards, but if I know you, I will recognize your walk and mood.

When I couldn’t read the blackboard from the back of the 6th grade classroom my vision was suddenly made more particularly articulate by being fit for glasses. I slowly began to rely on the written signs all around me and ignore the reality going on all around them. The authority of the written word, from “Keep off the Grass” to “Top Secret”, became sacrosanct; immune to any experience in the contrary. I became an avid reader in search of ethical heroes and scientific discoveries to challenge and/or enlarge my own heroic theories and burgeoning desire for the reward of fame and fortune in those books or imagined of their authors.

When I moved out of the city to the Dawgranch, I stopped wearing my glasses because there seems to be nothing so specific needing to be seen as is found in the traffic of speeding cars and urgent signs of the city. At the pace of nature everything is as articulate as their proximity requires my attention without fear of damage or delay. The once hawkeyed sharp particulars in the distance have returned to being part of the natural landscape I‘d learned to ignore.

When the cubical dwellers visit me I know when to celebrate, sympathize with or object to anything they say by how they dance and sing, no matter what the song and dance may be about.

Saturday, October 15, 2011

HOW HIGH THE SKY?

Do my cells Know what I make of them? 
Each one painting its canvas, a pixel in the hologram I call existence.
 Do they know their lives are my sensations?

Brain meet Nebula, or is it the other way round

The aches and ecstasies passing through now like weather
inspire my will to look beyond my cells with an awareness,


Double Helix Nebula at the heart of the Milky Way
a being of which I have always been a cell
whose health suffers and celebrates as do I —
in response to its cells, 
we Earthlings, 
we Solarians, 
we Milky Wayans …


Saturday, October 01, 2011

FINAL RESTING PLACE

While living among the pines of a forest east of Austin in a tipi I'd made of heavy canvas sailcloth and cedar poles thirty years ago, I began working on an all wood version. I abandoned that start to the silver fox family living under the hill on which it sat, but it never left my mind.

Those  memories and a growing dissatisfaction with occupying a defunct RV whose warranty must have expired the moment it was driven off the lot prompted me to renew efforts to bring the idea into reality, first in Illustrator for the planning stage and then in Home Depot for the physical realization through shop tools and material..
Planning stage
TIPI
The initial parameters were to use 4'X8'X1/2" plywood sheets to cover the 16' diameter hole I'd dug earlier, in which to raise tilapia for consumption here at the the Dawgranch, before I discovered the intrusive government regulations into private fisheries. These resulted in 12 triangular panels leaning toward the center around a 15 foot perimeter, more than enough room to do anything I've ever done indoors.

I ripped twelve 2"X4"X12' boards with two 13.1° cuts on the outer edge to accommodate the plywood sheet's lying flat against both cuts of the two 12' 'poles in each frame.  This made 6 complete wooden frames which I then linked with struts cut the same as the ones within the completed frames, resulting in the complete skeleton of the finished form hovering over the hole.

twelve foot rips started at the west end of my porch-cum-woodshop and finished out the east door
single frame in a jig to build all six
One frame launched and another one on the way
KIVA
Putting the floor of the tipi three feet below the ground is an adaptation of the cliff dwellers kiva to the plains tribes' tipi. On the good advice of my rock mason friend, Cyrus, the hole was enlarged a foot or so beyond the intended living space diameter and a foot deeper than the floor. Eleven 4"X4"X4' posts were sunk a foot deep in concrete and spanned by 1/2"X3'X4' plywood walls at a diameter of 170". Outside the walls and at least a foot below the floor level was filled with 12 tons of one-inch river gravel to serve as a drainage barrier against the occasional flood that has approached within a foot and a half of the top of the wall several times in my seven years living here at the Dawgranch.

Cyrus increases the diameter
Cyrus and Jose set the wall posts
The digging of the hole and setting of the posts (above) I ceded to fitter men than I to complete a job in one week that would certainly have taken my feeble frame at least two months in the constant 100°F+ drought we experienced this summer.

Wall wrapped in three layers of tar paper
Gravel filled into the outside of the wall holding cinder blocks spaced at 4' and level with
wall as footings for the bottom of the twelve foot frame sides (tipi poles)


COVERING THE TIPI
Instead of buffalo hides, I spanned the poles of my tipi with Autumn Orange colored plywood panels, the North, East and South tops of which hinge out to be horizontal rooves extending four feet beyond the base to form porches in the summer, to be eventually screened in. In the winter these panels will be snugged in and the small smoke flaps at the top will be closed on the windward and opened on the lee side for a draft to pull the smoke out when the fire pit is used.

Triangular frames linking around the kiva perimeter.
Smoke flap windows around the top

YURT
To cover the smoke  flaps I devised a 45° conic cap that hangs over any open ones, designed on the same principle as the 60° tipi, but made with lighter 1"X2" strips and 1/4" plywood. After it was in place it occurred to me that I'd incorporated another indigenous home design into the mix, a yurt.

Peak Parasol
Looking north through the south porch-to-be
Smoke flaps and Parasol in place.

And now I have moved in so far as I have finished facilities to operate in the style to which I have grown accustomed. I have yet to build the kitchen, fire pit and winter sleeping loft (7' ceiling over the kitchen).

Computer station "Outback"
At home with Monty and Hettie